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SanDisk Extreme Team photographer Steve McCurry captured this portrait of a man during the Holi Festival in India.

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Wouter de Lange | Photographed by Marco van Rijt

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Ricardo Solis (Mexico) Whimsical Paintings, 2014

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Une Femme est Une Femme by Jean-Luc Godard, 1961

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Syd Mead

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By Crom! is my joke-a-panel autobiographical comic featuring life advice and spiritual guidance from Conan the Barbarian. It ran from January 2012 to May 2014, and is collected in two books, The Collected By Crom! and Full Colour Cromulence. You can read the archives on WealdComics.com, and grab the books in print and in PDF.

By Crom! will be tabling with Weald Comics at TCAF, VanCAF, TAAFI and possibly FanExpo Toronto!

Hello new followers! Welcome! Here’s an overview of By Crom! for you all!

If you’re looking for By Crom! this fall, you can catch me flailing excitedly around GenCon with some postcards and high fives but no table, or you can come to booth a287 at FanExpo in Toronto for all the books and prints and originals a true barbarian could desire. 

Cromulent Summer Reruns have been running here on By Crom!, having now completed a rerun of the full first zine. We’re taking a short break and will be back on the 21st with reruns from The Collected By Crom!.

Thank you all so much for all your support here! It’s been a wild ride and I’m touched that you’re touched by all Conan’s “weirdly inspirational” advice!

Omg! These are the best!

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Mexico Rosel
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“Stop sending expired food”….”fried chicken 64.99” 

IQALUIT, Nunavut — A head of cabbage for $20. Fifteen bucks for a small bag of apples.

A case of ginger ale: $82.

Fed up and frustrated by sky-high food prices and concerned over widespread hunger in their communities, thousands of Inuit have spent weeks posting pictures and price tags from their local grocery stores to a Facebook site called Feed My Family.

Holy hell.

WHAT IN THE FUCK? This shit is not okay.

ughhslfkajsdlf gross gross gross


These people are starving for a reason.


have been starving

these people

to death for years.

Reblogging for the extra articles. 

Also… I might show up to this protest and support them. 

Pay attention to this stuff, please, followers who haven’t heard about this!  This kind of thing is completely erased in news media.

This is really fucking important.

This is why I don’t respect anyone who blindly supports the anti-sealing protestors. Because for a lot of people, it’s the only affordable option.

It’s not just Iqaluit. In Nain, Labrador this problem has been going on for ages and nobody does anything about it. $47 for a ham and $17 for a block of cheese. In Rigolet, Labrador, a loaf of bread costs $7. Here’s another picture of an Iqaluit food price changing before your very eyes.

The NNCP is starving people, reducing their food choices, and keeping people on EI poor. This is so, so wrong.

How can we help? I joined the group and checked out the website, but I didn’t see anything that can be actively done (other than raising awareness, which, of course, is great).

Excellent question! If you read through the group (which is here, for anyone who missed it), there are people talking about some ways to help.

  • Look at the latest news on the Feeding My Family website to see what the priorities are and how you might be able to help.
  • If you’re Canadian, call your local MP and ask to discuss this issue and express your concern.
  • Look up ways to support putting pressure onto airlines to charge fair rates (a $1000 plane ticket should be from one coast to the other, not a few hundred miles).
  • Research and learn what you can about food sustainability. For a start, how about learning square foot/metre (French intensive) gardening or container gardening and starting to practice it yourself? Share these techniques with friends and family. Get good at it so you can teach them to others who have poor food security in your own area.
  • For the love of God, stop signing “anti-sealing”/”anti-hunting” petitions and supporting Greenpeace’s actions without understanding the complicated, nuanced situation in the North.
  • Watch the FB group, because people there mention direct donations and ways to help the organizations actually on the ground there.
  • For example, one person is starting up a donation project/fundraiser.
  • Look at what organizations like FoodShare are doing and support them.

There is so much to be done. Sharing news articles and stories, lists of resources, donation and fundraising pages, and knowledge about food security is critical, but there’s a lot more work of all sorts.

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My old friend sent me a vintage Japanese members-only homosexual magazine 薔薇 Bara (rose), issue 13 (July 1965). I could find some marvelous drawings of 大川辰次 Tatsuji Ôkawa and 船山三四 Sanshi Funayama on it.

More drawings of these Japanese master gay artists who I deeply respect are included the book what I wrote and compiled in 2003, 日本のゲイ・エロティック・アート vol.1(ゲイ雑誌創生期の作家たち) Gay Erotic Art in Japan vol.1 (Artists From the Time of the Birth of Gay Magazines). More detail about the book, please see this page.

The incredibly rare private circulation magazine Bara (薔薇), July 1965 
Photos by Gengoroh Tagame (

Bara magazine was a successor to the “hentai zasshi" (perverse magazines) of the 1950s, and one of the forebears to the first mass-market gay magazine in Japan, 1971’s Barazoku (薔薇族), or “rose tribe.” It’s fascinating to see how Bara was so discreetly bound like an office file with no image on its cover.

An aside about the history of the term “bara”: Literally meaning “rose,” bara once held power as a pejorative term used primarily by heterosexuals to slander homosexuals. These magazines of the ’60s and ’70s radically co-opted the term in their titles. “It was very shocking and sensational to publish something in the jargon of the hetero sort of nomenclature for gays, exactly like the word ‘pansy’ in English,” Gengoroh Tagame told us when Anne and I interviewed him in Tokyo.

"Whereas gays probably don’t call each other ‘pansies’— it’s not a good thing— but to re-appropriate ‘bara’ was a big deal. But by the time I was getting bigger as an artist, that word was almost obsolete and we don’t use that word anymore. It was important for us to call ourselves ‘gays’ and ‘homosexual’ rather than ‘bara,’ which is just for hetero people to call us. Amongst ourselves, we don’t use that word, but people from outside will still use that word to call out gay people."

The Internet, as it tends to do, complicated matters. Just as the word was becoming obsolete in Japanese parlance in the early ’90s, “bara” found new life internationally through online message boards. “The organizers and the service providers and the people running these forums were straight, so they called the gay board the ‘bara’ board,” recalls Tagame. “A ‘bara’ chat room or a ‘bara’ board. The Internet conversations that were taking place about gay content were shaped by straight people, and then of course the Internet is how foreigners discovered our work. They saw that this whole section was called ‘bara,’ so that’s how I believe foreigners started to use and appropriate that word. And the word has come back to life, unfortunately, and I have to say personally, I’m sort of against it. I don’t call my own work ‘bara’ and I don’t like it being called ‘bara’ because it’s a very negative word that comes with bad connotations.”

The ever-shifting term means a variety of things to a variety of people these days, so I would say there’s no one right way to feel about “bara.” When we inquired with with the mangaka Kumada Poohsuke on the subject, he says he almost never hears the term used in Japan, but it doesn’t bother him if Americans use it. “Frankly, for Japanese people, if anything, you talk about ‘beefy’ manga or ‘big guys’ or ‘fat guy’ manga, or gay manga or homo manga—but not really ‘bara’ manga. On top of which: obviously my content is gay, but I don’t like to fix myself into [sexual] categories. You know, it’s not problematic really, it’s just that we don’t use the word. Americans can use it, and if it means something and immediately signifies something, that’s great. Keep using that word.”

Over the past two decades, a plethora of new meanings have been ascribed to “bara” online, as it’s come to describe the masculine aesthetic styles and bigger body types frequently found in gay manga. It has been used in various places by various people to refer not only to gay manga, but all kinds of “2D” erotica, sometimes including BL, furry art, Western gay cartoons, video game fan art, and even occasionally photographic gay erotica.

In today’s “bara” communities, images of gay manga circulate alongside artwork from populist online communities like Pixiv, DeviantArt, and FurAffinity. Wikipedia has a page for “bara" with a definition pieced together from various concepts mostly relating to the term’s Western useage as a synonym for gay manga. I’d like to improve that Wikipedia page some day, but I don’t even know where to start. The point is, "bara" is a charged, complex term that eludes simple definition. While I appreciate the way "bara" has unified Western fans of Japanese gay art in recent years, after speaking to a number of the artists on this subject, I personally avoid it out of respect for the artists’ agency and freedom to self-identify.

See also: Tatsuji Okawa, Sanshi Funyama, Barazoku, Tagame’s Gay Erotic Art in Japan

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Zinaida Serebriakova, Portrait of Boris Serebryakov, 1908

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Brett Whiteley (Australian, 1939-1992), The Divided Unity, 1974. Screenprint, 66.5 x 93.5 cm. Edition 63/70.

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Some of  Kelsey Hannah's photographs. She was a great eye for beautiful lighting, and really knows how to capture small moments that feel incredibly cinematic.

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I did the artwork for this song.

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